J.S. Bach / Krahl - Elements of Bach

Three nights of recording this album are behind me. This time has brought me even closer to the instrument of the organ-building company Hermann Eule in the Cathedral of St. Petri in my home town of Bautzen, which has been well known to me since my early childhood. The mystical atmosphere and soul of the house of God are especially palpable at night, when everything is silent and dark outside. The focus of my programme is Johann Sebastian Bach, who is an important guide and inspirer for me. Seb. Bach is for me the beginning and end of all music; on him rests and is based all true progress!" - this quote by Max Reger runs as a common thread through my programme for the recording. The important Leipzig Thomaskantor was also an important creative source for Karl Straube, Max Reger and Franz Liszt. Each of the pieces on this CD finds it's own reference to the work and person of the Baroque master: from late Romantic arrangements of Bach works by Karl Straube and Max Reger, to a work by Franz Liszt that quotes thematic motifs from Bach works, to Max Reger's monumental composition on the tone letters B-A-C-H, all the compositions revolve around the person and work of Johann Sebastian Bach. I go in search of the musical expression of the 19th century and trace compositions and interpretations from this period. Numerous recordings on the historic Sauer and Walcker organs already document the tonal and musical influences of the late Romantic period on the way music was made. The Eule organ in Bautzen's St. Peter's Cathedral, with it's broad sound spectrum and numerous fundamental voices, offers an instrument directly suited to this repertoire. Already Karl Straube, who performed the organ recording on 8 March 1910, was particularly impressed by the mild intonation of the sound body. The recording is my personal gift on the occasion of the 150th birth anniversaries of Karl Straube and Max Reger, which will be celebrated on 06 January 2023 and 09 March 2023 respectively. The programme revels in Bach interpretations around 1900, the heyday of symphonic organ art. In this epoch, not only were new compositions specifically geared to the instruments of the time created in the field of organ music, but existing works were also arranged. The listener embarks on a journey into the past and experiences with Romantic ears a 100-year-old reception history of Johann Sebastian Bach's music. Each of the recorded works refers in it's own way to Johann Sebastian Bach, whose figure and name inspired Karl Straube, Max Reger and Franz Liszt to create new, contemporary late Romantic works."