Rating: NR
Genre:
Comedy
Release Date: 02/18/2003
Run Time: 126 Minutes
Distributor/Studio: Columbia TriStar
Moss Hart and
George S. Kaufman's whimsical Pulitzer Prize-winning Broadway play
You Can't Take It With You was transformed into a paean to populism by director
Frank Capra and screenwriter
Robert Riskin. This is the story of the zany Sycamore household, presided over by
Grandpa Vanderhof (
Lionel Barrymore), a former businessman who has turned his back on commerce to enjoy life. At the Sycamores', everyone does just what he or she pleases.
Penny Sycamore (
Spring Byington),
Grandpa's daughter, has become a novelist because someone delivered a typewriter to her home by mistake.
Penny's husband makes firecrackers in his basement with the help of
Mr. DePinna (
Halliwell Hobbes), an iceman who showed up at the Sycamore doorstep one day and never left. Their daughter,
Essie (
Ann Miller), imagines that she's a prima ballerina, even though her dour teacher,
Boris (
Mischa Auer), assesses her work with, "Confidentially, it steenks!"
Essie's husband,
Ed (
Dub Taylor), who'd rather play a xylophone than work, spends his free time selling
Essie's candy, wrapping each package in paper from a used printing press that dispenses anarchistic slogans. The one normal member of the household is
Alice Sycamore (
Jean Arthur), in love with wealthy
Tony Kirby (
James Stewart).
Naturally, when the stuffy, aristocratic Kirbys come to the Sycamores' for dinner, the event is a disaster, capped with the arrest of everyone in the household.
Hart and
Kaufman's third act found the previously judgmental
Kirby softening his attitude toward the freewheeling Sycamore clan, admitting that he's never had so much fun in his life. Screenwriter
Riskin altered the focus of the play by throwing out the third act and concentrating upon
Tony Kirby's father,
Kirby Sr., who as played by
Edward Arnold is transformed from a stock stuffed shirt into a ruthless, grasping tycoon, eager to buy up every house on the Sycamores' block to make room for a munitions plant. The film thus became the story of
Kirby's regeneration at the hands of the carefree Sycamores. Enough of the play's
screwball elements are retained to compensate for
Riskin's speechifying and plot distortions (though the softening of one of the play's vital ingredients,
Grandpa's refusal to pay his income tax, borders on the sacrilegious).
You Can't Take It With You earned several Academy Awards, including Best Picture and Best Director (
Capra's third Oscar).
~ Hal Erickson, All Movie Guide
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