Rating:
Genre:
R&B
Release Date: 06/01/2004
Listeners familiar with keyboardist/vocalist
Amp Fiddler before his pair of 2002/2003 12" releases likely knew him through his associations with Detroit
house figure
Moodymann and, to a greater extent, his run-ins with
George Clinton and
Prince. In 1990, he also recorded an album with his brother
Bubz, released under the name
Mr. Fiddler; this project came and went without much notice, mostly because it failed to fit in with much of anything else at the time. Come 2003, however, you couldn't be a
house head or read a
dance-music-for-grown-folks magazine without hearing him or reading about him. In addition to the singles,
Fiddler was the star of the phenomenal
Moodymann production
"I'm Doing Fine," credited to
Amp Dog Knight, as well as
Only Child's upbeat
disco-
house track
"U Bring Me Vibes." He also played a role in the
Carl Craig-helmed
Detroit Experiment, providing keys work and doing the vocal duties on a cover of
Stevie Wonder's
"Too High." After a couple decades spent floating around,
Fiddler finally came up with his first solo album. Most of the cuts from those singles reappear here in slightly different forms, while the remainder is all new. Just like the
Mr. Fiddler album,
Waltz of a Ghetto Fly is something of an anomaly, mixing up the occasional 4/4
house track with funky
R&B that's reminiscent of
There's a Riot Goin' On-era
Sly Stone (this goes beyond the references to
"You Caught Me Smilin'" in
"You Played Me") and
Fiddler's past connections. Since the
house tracks also draw heavily upon '70s
funk, the album is more cohesive than you'd expect. Throughout,
Fiddler maintains a steady, assured, laid-back flow. Even at his most aggressive -- as on the protest song
"Love and War" (with backing courtesy of
Moodymann) and the sweaty
"Superficial" -- it goes down smoothly and richly, as suitable for background listening as it is a get-together. Hearing
Fiddler's voice -- alternating between a butter-smooth croon and a deep-throated yowl -- and sensitive keyboard wriggles throughout the course of an entire album is a pure joy.
~Andy Kellman, All Music Guide
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