Rating:
Genre:
Rock
Release Date: 05/13/2008
Run Time: 27:20
Neil Diamond's debut LP for
Uni Records and his earliest extant album,
Velvet Gloves and Spit has appeared in two distinctly different versions. Originally issued in October of 1968 as a ten-song LP with a photograph of
Diamond in close-up on the cover, it attracted relatively little attention despite some excellent songs and one bold (if heavy-handed and misguided) effort at serious, topical songwriting. That album never sold well -- none of
Diamond's albums did in those days -- and two years later, in October of 1970, it was re-released with a new cover, featuring an artist's rendition of
Diamond, and had an 11th song --
Diamond's new version of
"Shilo," which he'd previously recorded for
Bang Records -- added to it. That makes the 1970 release date on the CD a little misleading, as all of the songs are actually two years older than that, and, given that vintage, surprisingly sophisticated. Apart from
"Shilo," most of the record was cut in New York (as opposed to the smoother, more subtly soulful, elegant sounding Memphis-based recordings that would follow from
Diamond) and a lot of
Velvet Gloves and Spit sounds closer in texture to
"Cherry Cherry" and the other sides cut by
Diamond during his
Brill Building phase at
Bang Records through 1967, than to
"Sweet Caroline" and the other records with which
Diamond closed out the 1960s. There are some fine songs here, including
"Honey Dripping Time," "Practically Newborn," "Holiday Inn Blues" and
"Sunday Sun," and
"Two-Bit Manchild" is a fascinating adaptation of his
Brill Building-era sound to a personal/introspective lyric and approach (picture
the Monkees' sound melded to a
singer/songwriter persona). And
"A Modern Day Version of Love" and
"Brooklyn Roads" are the distant but direct dramatic antecedents to
Diamond's 1980s symphonic
pop work and his ambitious later career work. To appreciate this album, however, one must get past
"The Pot Smoker's Song," a heavy-handed anti-drug
bubblegum pop number, patterned roughly after
Simon & Garfunkel's
"Old Friends/Bookends," with trippy,
spoken word testimonials about the dangers of drugs (including one addict who claims to shoot heroin into his spine), punctuated by
Diamond's ridiculous, sing-song chorus ("Pot, pot / Gimme some pot/ Forget who you are / You can be who you're not"). It's a strangely fascinating artifact and helps distinguish
Velvet Gloves and Spit from
Diamond's catalog of uneven albums. And also present since 1970, on the extant CD, is
"Shilo," recorded at
Chips Moman's
American Studios in Memphis, which jumps ahead, presenting
Diamond in his next stylistic phase with the sound that would carry him into the 1970s.
~Bruce Eder & Stephen Thomas Erlewine, All Music Guide
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