Rating:
Genre:
Rock
Release Date: 06/20/2006
In the two years since releasing their debut album
Hopes and Fears,
Keane has quickly established itself an integral part of the mainstream
rock canon. Hit singles such as
"Somewhere Only We Know," "Bedshaped," and
"Everything's Changing" made
Hopes and Fears a transatlantic hit, earning the trio two Brit Awards, a Grammy nomination, and a host of sold-out world tours. They're as likeable and as accessible as
Coldplay yet
Keane's return isn't as buoyant as their initial introduction. Whereas
Hopes and Fears faced uncertainty head on with joyous enthusiasm,
Under the Iron Sea is a darker, less romantic set of songs affected by a disenchanted outlook on life and the world's problems.
Keane feels the frustration of a world torn apart by war, but also expresses their own growing pains as a group. Songs such as the grayish ebb and flow of
"A Bad Dream" and
"Crystal Ball" connect with such reflections. Frontman
Tom Chaplin faces the disappointment of growing older on the haunting
"Atlantic," another stone-cold gem of synthesizer strings and
Tim Rice-Oxley's gorgeous piano delivery. When you think it might be totally depressing, there are some hints of life hidden in the corners of
Under the Iron Sea and these mysterious loops highlight
Keane's new sonic experiments. Thus far they've existed without guitars. Though the bounty of this record breathes with a collection of various analog synths and an old electric piano,
Rice-Oxley's usual performance is now enhanced with a bevy of guitar effect pedals. Debut single
"It Is Any Wonder?" is layered with pianos and
Chaplin cries out, "Stranded in the wrong time/Where love is just a lyric in a children's rhyme, a soundbite." Such words capture how crucial it was for
Keane to come up with something that's tangible and thought-provoking, but the guitar pedals are just a bit too dramatic.
Keane should be applauded for going after a different sound; there's no harm in that, but die-hard fans might rush to judge
Under the Iron Sea as sounding a bit too much like
U2.
~MacKenzie Wilson, All Music Guide