Rating:
Genre:
Rock
Release Date: 01/24/1992
Run Time: 39:36
Randy Newman began the slow process of transforming himself into a polished L.A. song-crafter on the album
Little Criminals, and with
Trouble in Paradise the metamorphosis was complete; by this time,
Newman could make a record just as ear-pleasing as anything
Paul Simon,
Don Henley, or
Lindsey Buckingham could come up with, and proved it by persuading all three to appear on the sessions. But no matter how polished the arrangements and smooth the production,
Newman's songs don't sound like they're ready for radio, and he's too bright not to understand that songs about apartheid, self-pitying white bluesmen, and arrogant yuppies are poor prospects for the pop charts.
Trouble in Paradise marked the high point of
Newman's struggle between pop sheen and his satiric impulses, and the album is a significant improvement over
Little Criminals and
Born Again. The targets of
Newman's satirical gaze are easy to skewer, and his pen is hardly subtle, but the overall tone is more respectful than on
Born Again and the results are stronger. The bitter Afrikaner in
"Christmas in Capetown" and the egocentric blowhard in
"My Life Is Good" have at least
earned Newman's disgust, and while many of the character studies (
"Mikey," "I'm Different") and vignettes (
"Miami," "Take Me Back") take a less than charitable view of their protagonists, like the losers and half-wits that populate
Good Old Boys, they're human beings whose flaws reveal a hint of tragedy. And the closing number,
"Song for the Dead," is a stunner in which a soldier explains to the bodies he's burying the purpose behind the war that took their lives. While too slick for
Newman's core audience,
Trouble in Paradise was his most intelligent and best realized work since
Good Old Boys, and his finest album of the 1980s.
~Mark Deming, All Music Guide
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