Rating:
Genre:
Rock
Release Date: 02/05/1992
Run Time: 40:25
1981's
Mob Rules was the second
Black Sabbath album to feature vertically challenged singer
Ronnie James Dio, whose powerful pipes and Dungeons and Dragons lyrics initially seemed like the perfect replacement for the recently departed and wildly popular
Ozzy Osbourne. In fact, all the ingredients which had made their first outing,
Heaven and Hell, so successful are re-utilized on this album, including legendary
metal producer
Martin Birch (
Deep Purple,
Whitesnake, etc.) and supporting keyboard player
Geoff Nichols. And while it lacks some of its predecessor's inspired songwriting,
Mob Rules was given a much punchier, in-your-face mix by
Birch, who seemed re-energized after his work on
New Wave of British Heavy Metal upstarts
Iron Maiden's
Killers album. Essentially,
Mob Rules is a magnificent record, with the only serious problem being the sequencing of the material, which mirrors
Heaven and Hell's almost to a tee. In that light, one can't help but compare otherwise compelling tracks like
"Turn Up the Night" and
"Voodoo" to their more impressive
Heaven and Hell counterparts,
"Neon Knights" and
"Children of the Sea." This unhappy streak is finally snapped by the unconventional
"E5150," a synthesizer-driven
instrumental. Then, the unbelievably heavy, seven-minute epic
"The Sign of the Southern Cross" delivers one of the album's best moments before unleashing the roaring title track. Side two is less consistent, hiding the awesome
"Falling off the Edge of the World" (perhaps the most overlooked secret gem to come from the
Dio lineup) amongst rather average tracks like
"Slipping Away" and
"Over and Over." Over the next year, the sh*t would hit the fan for
Black Sabbath, and
Dio's exit would mark
Mob Rules as the last widely respected studio release of the band's storied career.
~Ed Rivadavia, All Music Guide
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