Rating:
Genre:
Rap
Release Date: 07/18/2006
Mainstream female rappers are few and far between, and underground female rappers are even less common. Add this to the fact that
Christalle Bowen, or
Psalm One, doesn't only rhyme about her sexual prowess and her love of expensive things and you've got yourself something pretty unique, even rare. Over perfect underground beats -- melodic without being too poppy --
Psalm One spits about growing up in Chicago (
"The Nine"), wack MCs (including female ones, emphasized in
"Prelude to a Diss" and
"Rapper Girls"), her previous day job as a scientist ("chemistry's feeding me, cuz I charge much less for my two EPs" goes the hook in
"The Living," also echoed in
"Beat the Drum"), and or course, her love of
hip-hop (
"Peanuts") with a smooth but punctuated flow, a bit like fellow Midwesterners and
Rhymesayers labelmates
Blueprint or
P.O.S. Psalm, like any self-respecting rapper, makes sure to rep her hometown, but she makes sure she still maintains her own identity as well. "I ain't
Com, I ain't
Kanye," she says in the excellent title song, which features a verse from producer, MC, and
Del sound-alike
Thaione Davis, who uses cartoonish strings and crackling, quirky percussion to set the pace of the track. On
"Macaroni and Cheese," the Chi's musical heritage is paid tribute to in
Overflo's
blues guitar-laden beat (which, it must be said, is practically identical to the one on
Jay-Z's
"My 1st Song') that meshes with
gospel cries and a smoky bassline. Here, the rapper uses a cadence (again similar to
Jay-Z's)that almost seems borrowed from the playground, which contrasts nicely with its more adult themes, and makes the track swing and swell.
Psalm One is a witty, talented lyricist who's not afraid to reveal personal information ("lost 60 pounds") as well as brag about her own skills ("my flow hits your po' brain like government cocaine/I'm propane, you no name"), which are certainly numerable. Trying to break into the
hip-hop world is never easy, especially when you're one of the few women in an extremely male-centric genre, but with
The Death of Frequent Flyer,
Psalm more than proves that she deserves to be there, and that
all other MCs should watch out.
~Marisa Brown, All Music Guide
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