Rating:
Genre:
Vocal Music
Release Date: 09/20/2005
Like
Frank Sinatra's classic LPs for
Capitol and
Ella Fitzgerald's songbook series on
Verve,
Mel Tormé's recordings for the
Bethlehem label hit such dramatic heights in artistry -- and maintained them -- that the artist would never quite escape their excellence despite remaining a respected and rewarded performer for decades afterward.
Bethlehem was the home of
Tormé's first mature full-length statement,
It's a Blue World, which proceeded from his undergraduate studies of the 1940s with
the Mel-Tones and his advanced postgrad work on the first version of
Mel Tormé's California Suite (which he recorded again while at
Bethlehem). That
Tormé on
Bethlehem isn't known well by the wider music-buying public is down to the label's tortuous history (it folded in the middle of his contract) and
Tormé's short stint there (six billed records within three years). It certainly can't be the quality of the material that causes the low profile, for if
Lulu's Back in Town or
Mel Tormé Sings Fred Astaire had remained in print like any of
Sinatra's LPs, they would have acquired the same high profile. Leave it to those entrepreneurial wizards at
Shout! Factory to introduce the first major-label compilation devoted to that excellent period. Better still, beyond the gripe of including only 16 tracks,
The Bethlehem Years makes all the right choices for material. The two records mentioned immediately above are each given four slots, with
Tormé's buoyant vocals backed in great fashion by
Marty Paich's Dek-tette, which makes a statement that a well-chosen ten-piece band can pack a punch while also leaving the vocalist plenty of space.
Tormé's gift for entertaining at live appearances is also given quality time, including several songs from his appearances at
the Crescendo in Los Angeles.
~John Bush, All Music Guide
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