Rating:
Genre:
Rock
Release Date: 06/24/2008
However fans choose to label
Incognito's sound in the post-acid jazz world of 2008, it was clear that wherever the group performs, its feisty mix of retro soul, brass, funk, and jazz truly lived up to the title of 2004's
Narada Jazz disc
Adventures in Black Sunshine. Founder
Jean-Paul "Bluey" Maunick and his often rotating "collective" group averaged an incredible six months a year on the road, wowing crowds throughout Europe and Asia, where they're biggest in Japan and Indonesia.
Incognito's uniquely funky, retro soul sound is so urban that it may have at first seemed odd to call their equally infectious, constantly grooving
Heads Up debut
Tales from the Beach -- 'til we realize that the beaches
Maunick is referring to are those on his native island of Mauritius (off the coast of Madagascar). That's where he got wind of hotel bands and others playing around bonfires and cookouts; the loose, happy flow of
Incognito's bouncy, horn inflected tunes here completely reflects that wistful reference. While
Maunick's crisp, jangling guitar work,
Francis Hylton's bubbling bass, and those old-school soul atmospheres and horns inhabit every melody and groove, these tales are told by a shimmering array of sensual R&B singers. The most well-known of these to longtime
Incognito and smooth jazz fans is
Maysa, who took time from her building solo career to grace four tracks with her rich and sexy, dark toned vocals: the soaring, percussive dance gem
"I've Been Waiting," the dreamy melancholy meets joy-infused
"I Remember a Time," the fast rolling jazz tune
"Never Look Back," and the sensuous chill rocker
"When Words Are Just Words." At a generous 15 tracks,
Tales from the Beach gives ample tracking to a handful of lead vocalists who are lesser known than
Maysa but equally as heart tugging and soul-spiced:
Joy Rose,
Tony Momrelle, and
Imaani. The three of them team up on the brass and vibes-tinged anthem
"Feel the Pressure," perfectly showcasing the true ensemble energy that's made
Incognito such a powerful force in post-acid jazz groove music for so many years.
~Jonathan Widran, All Music Guide
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