Rating:
Genre:
Rock
Release Date: 07/29/1997
1997's
Strangers Almanac was
Whiskeytown's major-label debut and the album that first introduced
Ryan Adams to a wide audience, but at the same time it marked the beginning of the end for the group. When
Whiskeytown went into the studio to record
Strangers Almanac, the band had undergone the first of what would become a long line of personnel shakeups, and in addition to
Adams, the only proper members of the group on hand for the sessions were violinist and vocalist
Caitlin Cary and guitarist
Phil Wandscher; session musicians filled out the lineup, while the new rhythm section,
Jeff Rice (bass) and
Steve Terry (drums), was hired only two weeks before recording began. Despite its chaotic creation,
Strangers Almanac sounds stronger and more cohesive than its ragged but forceful indie predecessor,
Faithless Street, and there's a deeper resonance in
Adams' tales of wasted nights and wasted lives, such as
"Inn Town," "Losering," and
"Dancing with the Women at the Bar." Strangers Almanac doesn't rock as hard as
Whiskeytown's earlier material, but when the guitars kick into high gear on
"Yesterday's News" and
"Waiting to Derail," it reveals just how good a match
Adams and
Wandscher were, and
"Excuse Me While I Break My Own Heart Tonight" and
"16 Days" are as strong and moving as their
country gestures got. However, though
Strangers Almanac starts strong, most of the best material is used up by the two-thirds mark, and editing one or two tunes from the final innings would have done this album a world of good. Regardless of its faults,
Strangers Almanac captures
Whiskeytown when they still had some business calling themselves a band rather than just
Ryan Adams' backing musicians, and the glorious world-weariness of its best moments makes it a far more satisfying listen than most of what would follow once
Adams struck out on his own.
~Mark Deming, All Music Guide
;)
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