Click on the field header labeled "Extensions" (to order the list by extension)
Scroll down and click on the entry for "ASX"
Click on the "Change Action" button
Select the top radio button labeled "Open them with the default application"
Repeat steps 6-8 for every instance of the ASX extension in the list. When you are done, click "Close" then click "OK" in the options window. Audio samples should now play properly in Windows Media Player.
There are no cuts from Elvis Costello or the Damned on Madness on Metro's Stiff, Stiffer, Stiffest, and while they're missed, along with several obscurities, that doesn't change that this is a fine single-disc encapsulation of what made Stiff Records so weird, wild, and wonderful. They were hardly what you could call a consistent label, but that was their charm -- they soared to unbelievable heights and crashed to unknowable depths, and were usually endearing, no matter which way they moved. Several of the greatest peaks are here -- Nick Lowe's "Heart of the City,"Lene Lovich's "Lucky Number,"Wreckless Eric's "Whole Wide World,"Tracey Ullman's "Breakaway,"Tenpole Tudor's "Swords of a Thousand Men,"Adverts' "One Chord Wonders" -- and instead of crashes, there is a head-spinning array of variety, from the ska-punk of the Members, the hard-rocking Pink Fairies, the Mint Juleps' new wave reworking of "Jimmy Mack,"Jona Lewie's bizarre "Stop the Cavalry," and Roogalator's funky jam, "Cincinnati Fatback." This might not add up to the definitive single-disc statement on Stiff, but it sure gives a good idea of what the label was all about, and it's a lot of fun.
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