Click on the field header labeled "Extensions" (to order the list by extension)
Scroll down and click on the entry for "ASX"
Click on the "Change Action" button
Select the top radio button labeled "Open them with the default application"
Repeat steps 6-8 for every instance of the ASX extension in the list. When you are done, click "Close" then click "OK" in the options window. Audio samples should now play properly in Windows Media Player.
Track Listings
Title
Listen
1.
East of the River Nile
- Augustus Pablo
2.
East of the River Nile Version [Version]
- Augustus Pablo
3.
Java
- Augustus Pablo
4.
Fat Baby
- Augustus Pablo
5.
Ape Man
- Augustus Pablo
6.
Hot and Cold [Version 1]
- Augustus Pablo
7.
Hot and Cold [Version 2]
- Augustus Pablo
8.
Our Man Flint
- Augustus Pablo / Lloyd Young
9.
I Am Alright (Loving Pauper)
- Gregory Isaacs / Augustus Pablo
10.
African Queen
- Augustus Pablo
11.
Bedroom Mazurka
- Augustus Pablo
12.
Bedroom Mazurka Version [Version]
- Augustus Pablo
13.
Bass and Drums Version [Version]
- Derrick Harriott / Augustus Pablo
14.
Bells of Death
- Augustus Pablo
15.
Fiat 125 [Version]
- Augustus Pablo
16.
Pablo in Red
- Augustus Pablo
17.
Pablo Mood
- Augustus Pablo
18.
The Big Rip-Off
- Augustus Pablo
19.
Lama Lava
- Augustus Pablo Meets the Upsetters
20.
Vibrate On
- Augustus Pablo / The Upsetters
21.
Vibrate on Version
- Augustus Pablo / The Upsetters
Jamaica's Augustus Pablo took what was essentially a child's toy, the melodica, and turned it into something else again. The exotic, eerie, slightly Far Eastern and delicately mournful sound that Pablo coaxed from the instrument soon became a staple of Jamaican reggae and dub releases in the 1970s. This wonderful set spotlights some of Pablo's early freelance efforts for a host of island producers, including Herman Chin-Loy ("East of the River Nile"), Clive Chin ("Java"), Lee "Scratch" Perry ("Vibrate On"), Keith Hudson ("Fat Baby") and Joe Gibbs ("African Queen"), making it an almost ideal introduction to Pablo and his marvelous melodica before sheer repetition and overuse combined to turn the instrument's distinctive sound into a dub cliché.