Rating:
Genre:
Rock
Release Date: 05/17/2005
First, the disclaimer: California's
Disgorge -- the band heard on
Parallels of Infinite Torture -- should not be confused with Mexico's
Disgorge. Nor should the Californians be confused with Swedish and Norwegian bands that are also called
Disgorge. But it isn't hard to understand why someone might confuse California's
Disgorge with Mexico's
Disgorge. Both were formed in the '90s -- California's
Disgorge in 1992, Mexico's
Disgorge in 1994 -- and both have been loyal to the
grindcore style of
death metal associated with
Carcass,
Cannibal Corpse, and
Cancer. Further, California's
Disgorge have had some Latino members. Play
Parallels of Infinite Torture right after hearing
Forensick (an album by Mexico's
Disgorge), and it is clear that the two bands are quite similar -- which isn't to say that they're identical. There are subtle differences between them. For one thing, Mexico's
Disgorge have favored sick, twisted song titles that mirror
Carcass' medical themes; their list of song titles reads like a medical textbook, whereas on
Parallels of Infinite Torture, California's
Disgorge go for song titles that are very occult-minded. And while this 2005 release would no doubt offend a member of the Christian Coalition or Focus on the Family, those who aren't fundamentalist fanatics will take
Parallels of Infinite Torture for what it is: an exercise in shock value and campy, over the top entertainment. While
Slayer's albums can be genuinely disturbing because
Tom Araya and his colleagues take their subject matter quite seriously, this CD comes across as more tongue-in-cheek than anything.
Parallels of Infinite Torture is the first album by this band to feature their new lead singer,
Levi Fuselier, who favors the type of deep, guttural, demonic-sounding growl that is one of
death metal's trademarks. But having a new frontman hasn't changed the Californians stylistically -- and while
Parallels of Infinite Torture isn't the least bit groundbreaking, it's a decent (if predictable) effort that will appeal to die-hard fans of early-'90s-style
grindcore.
~Alex Henderson, All Music Guide
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