Rating:
Genre:
Rock
Release Date: 06/14/2005
It's been nearly five years since
the Backstreet Boys have released a new album, but as the all-too-literal title of 2005's
Never Gone makes clear, they don't want you to call their fourth LP a comeback -- in their mind, they've been here for years. That's not strictly true, since all five members have disappeared from the charts, if not the tabloid headlines, since their 2000 flop,
Black & Blue. While fellow
teen pop icons like
Justin Timberlake and
Christina Aguilera had successful transitions into adulthood, while
Jessica Simpson turned reality TV star and
Mandy Moore turned genuine actress (for pity's sake, we will ignore
Britney Spears' horrifying descent into white trash abyss),
Kevin Richardson,
Howie Dorough, and
Brian Littrell all faded away as
A.J. McLean suffered a very public addiction to various substances.
Nick Carter also suffered at the hands of the tabloids, in large part due to a very stormy relationship with
Paris Hilton, but he also had the distinction of being the only
Backstreet Boy to deliver a solo album --
Now or Never in 2002 -- which meant that he was the only
BSB with an ignoble flop to his credit, as well.
Now or Never had the distinction of being an old-school
teen pop album being delivered too far after the craze.
Carter's peers were changing their stripes, but he stuck to the tried and true
BSB formula and was punished by the fickle public accordingly. Given that public humiliation, it shouldn't come as a surprise that
Carter and the other
Boys are wise enough to try something new on
Never Gone: they've abandoned the
teen pop of the late '90s for anthemic
adult contemporary that sounds a bit like
Bryan Adams circa 1990. It's not a reinvention as much as a lateral move, shifting from one kind of
pop that's not selling to another that's not selling, but to their credit,
Backstreet Boys acquit themselves reasonably well here. First of all, there's a bit of pleasure in hearing a group throw itself into the big, resolutely square sound of '90s
adult contemporary, since nobody else is doing this sound in 2005, but also it fits the group well, particularly
Carter, with his newly raspy lead vocals. Second, this is by and large a well-made record, with a handful of standout tracks, notably the first single
"Incomplete," the
John Ondrasik-written
"Weird World," which is a lot more fun than any
Five for Fighting tune, the
Max Martin-helmed
"Just Want You to Know," and
"Lose It All," which bizarrely and appealingly sounds like an MOR version of an
Oasis ballad. Although the rest of the record is essentially well-made filler, it does sound good; this is one time that a
pop record benefits by having a different production team for nearly every one of the album's tracks, since the sound of each tune is just different enough to keep things interesting yet unified enough to make it pleasant background music. This is all enough to make
Never Gone a solid
adult contemporary album, which will please both
BSB diehards and the dwindling ranks who wish that the glory days of
Jon Secada never ended, but its relative strength does highlight one problem with the album: this kind of music doesn't sound quite as convincing when delivered by a group of guys as it does by one singer. If
Never Gone had been released as
Nick Carter's second solo album or
A.J. McLean's first, it would have felt more genuine, since these (marginally) more mature songs of love and relationships would have more resonance sung by a solo singer instead of a pack of guys. But that's nitpicking, because even if it never sells as well as
Millennium did at the turn of the century,
Never Gone is at the very least a successful musical makeover from the onetime
teen pop kings. [
Never Gone was released in several editions, including a copy-protected CD that will not play on your computer without installing a separate media player, and a DualDisc, containing a CD on one side and a DVD on the other. The DualDisc has a 5.1 mix version of the album on the DVD side, along with the video for
"Incomplete" as well as a brief documentary about the making of the video for
"Incomplete." The CD side of the DualDisc may not register on some computers.]
~Stephen Thomas Erlewine, All Music Guide
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