Rating:
Genre:
Rock
Release Date: 01/21/1994
Run Time: 42:32
Anyone who has ever saw
Bruce Springsteen and the E Street Band between 1975 and 1981 knows one of the reasons they were among the best live bands in America is they had three members with the power and charisma to make great frontmen --
Springsteen,
Clarence Clemons, and
"Miami Steve" Van Zandt. In 1982, while
Springsteen was laboring over
Born in the U.S.A.,
Van Zandt -- who'd already proved his considerable chops as a producer, songwriter, and arranger working with
Southside Johnny and the Asbury Jukes and
Gary U.S. Bonds -- stepped away from
the E Street Band to launch a solo project,
Little Steven & the Disciples of Soul, and in many ways the first
Little Steven album,
Men Without Women, is the finest album
the Asbury Jukes never made. Like
the Jukes best work,
Men Without Women blends the muscle and swagger of Jersey shore
rock & roll with the horn-fueled heart and soul of classic
R&B, and here
Van Zandt was willing to push himself further in both directions at once. With a five-piece horn section blazing throughout (featuring
Richie "La Bamba" Rosenberg leading a crew of former
Jukes brass players) and former
Rascals Dino Danelli and
Felix Cavaliere on hand, this album's
blue-eyed soul credentials are unimpeachable, but
Van Zandt's guitar (and
Jean Beauvior's bass) speak with the sound and fury of a true
roots rock rebel. While
Van Zandt's songwriting was always impressive,
Men Without Women's best moments expressed a degree of passion, vulnerability, and determined fervor he hadn't quite permitted himself in the past (he also began to express the political concerns that would dominate his later work on
"Under the Gun"), and if
Van Zandt was a less precise vocalist than
"Southside" Johnny Lyon, the gritty sincerity and emotional force of his performances more than made up for it. On
Men Without Women,
Little Steven & the Disciples merged the brassy swing of a classic
Motown side with the sweaty blare of a amped-up
garage band, and if that sounds like an odd combination, in both
soul and
garage rock, commitment is what counts, and
Little Steven had that to spare -- along with a set of really great songs.
~Mark Deming, All Music Guide
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