Rating:
Genre:
Rock
Release Date: 12/18/2006
It's to that louder, harder, heavier prowess that
Idlewild returns its sights on
Make Another World, and everybody's happy. Sure, why not? It's what they're best at, and what excites most. Freed from a four-LP
Parlophone/EMI deal that had gone stale -- especially in the U.S., where
Capitol had undercut their potential with belated releases (whereas
Sanctuary licensed
World for April, only one month after its import) -- the newly indie band feels as reborn as the title boasts. It was a wise move to rehire
Eringa (
Manic Street Preachers); he restores the sword edge in their guitars, and the snap in new (third) bassist
Gareth Russell's bass and
Colin Newton's thunderous, tight drums. But this is also a committed band baring their buried teeth again. Anyone who's seen
Idlewild knows how quickly they burst into a manic force that, like
Nirvana without the hard rock/metalisms, makes you feel like you're rollerblading and holding on to a speeding truck. See the five-pack that brings back 2002's
The Remote Part's uptempo slammers. Like that LP's hammering
"A Modern Way of Letting Go," its doppelganger,
"If It Takes You Home" is fast, furious, rushing, and sharp as nails, recalling the "wind 'em up, let 'er rip" leap of the
Sorry Ma/
Stink Replacements.
"Everything (As It Moves)," "A Ghost in the Arcade," the opening
"In Competition for the Worst Time," and the closing
"Finished It Remains" likewise spring from speakers like soda from a shaken can, with mad
Rod Jones' stabbing guitar leading a livid charge. The rest maintains the pressure, debuting a dance skip on the single
"No Emotion" and doleful horns on the only
Warnings-esque song,
"Make Another World." Of course, that's not all.
Roddy Woomble's singing and words are always worth the cash, especially since he stopped shouting after 1998's
Hope Is Important. His throaty crooning, like a cross of Scottish antecedents
Roddy Frame and
Frank Reader (
Trash Can Sinatras) with
Mike Stipe, remains in fine form. And of his observations, the best is the wisdom of
"Future Words" ("You can steal what you love/But you can't love what you steal)," but the dignified disgust for American unilateralism imbued in the title track ("Let your tears fall in the shape/Of every one of the American states") is also emotive. Maybe
World lacks the unhinged explosions of 2000's zenith
100 Broken Windows, or the epic grandeur of the topsy-turvy
Remote. But there's not an ounce of filler in its lean 35 minutes, a tight ten-song LP like the vinyl era.
Idlewild is a mature band able to summon a heavy past without sounding desperate, reconnecting to a time when life could be gassed by a
Superchunk,
Jawbox,
Sebadoh, or
Poster Children tune. Give it a home, and encourage them to make more.
~Jack Rabid, All Music Guide
;)
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