Rating:
Genre:
Jazz
Release Date: 08/26/2008
Run Time: 44:31
Bill Frisell's early work even in its retrospectively rawest form holds all of the values that he has evinced through his entire career. Country and eastern sounds merge with a signature sky church electric approach that is unique unto only himself.
Lookout for Hope -- his first recording for the
ECM label -- brands
Frisell as a visionary, a virtuoso, and a fusioneer of many sounds that set him far apart from labelmates
Pat Metheny,
John Abercrombie, and
Terje Rypdal. While both
Frisell and
Rypdal give giant kudos to
Jimi Hendrix, there is a sense of peace and serenity that puts soulfulness on a different plane. Cellist
Hank Roberts and bassist
Kermit Driscoll have much to do with giving
Frisell his head, weaving similar silver sounds in and through him. Then add
Joey Baron's deft, precise, and colorful drumming to put the exclamation point on
Frisell's new approach to improvised music. Where the haunting, ringing, rocking, strident sound of
Hendrix is resurrected and modernized during the title selection,
"Hang Dog" has the Afro-Asian minimalist resonance of
Steve Reich accented in 7/8 time by
Frisell's banjo. Nods to
Ornette Coleman's puzzle-pieced surety on the peppy head arrangement of
"The Animal Race" and the twangy, witty, cartoonish take of
Thelonious Monk's
"Hackensack" brands
Frisell a true maverick and individualist. At its best, east and west merge someplace in between during the memorably beautiful overdubbed and echoing sounds on
"Lonesome," while the slight yet sincere expectation evinced on
"Animal Prints" is the seamless and alluring alchemy of natural, spiritual, and ethereal. With
Lookout for Hope,
Bill Frisell is not so much setting trends and fashion as he is establishing a fresh sound, utterly unique from all others, and laying a foundation for many things to come.
~Michael G. Nastos, All Music Guide
;)
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