Rating:
Genre:
Latin
Release Date: 02/21/2006
There are at least two types of regional Mexican music that are similar to Sinaloa-style
banda but are not
the same as Sinaloa-style
banda. One is duranguense, a style associated with Durango, Mexico as well as Chicago (which has attracted a lot of immigrants from Durango). The other is tierra caliente, which is associated with Mexico's Tierra Caliente region. It could be argued that if tierra caliente is downsized
banda, duranguense is
banda that has been downsized even more. There are times when the two sounds can overlap to a degree, which is what happens on
Llegando a la Cima.
Remis consider themselves tierra caliente rather than duranguense; the keyboards on this 33-minute CD certainly sound like duranguense-style keyboards, although the percussion is more subdued even at the faster tempos. Perhaps
Llegando a la Cima is best described as tierra caliente with duranguense references, but however one categorizes
Remis' work, this is a solid album that is very
ranchera-minded more often than not. Like Sinaloa-style
banda, tierra caliente and duranguense have shown themselves to have a great deal of flexibility; a tierra caliente or duranguense artist might be performing anything from the classic
José Alfredo Jiménez songbook to arrangements of
Marco Antonio Solís'
Latin pop hits.
Llegando a la Cima is not devoid of
pop considerations; the title track, for example, has the type of
doo wop influence that is not uncommon in Mexican music. But a hardcore
ranchera-rooted perspective asserts itself on
"Amor con Amor Se Paga," "De Mañana en Ocho Días," "Cariñito de Mi Vida" and most of the album's other tracks. Whether one considers
Llegando a la Cima tierra caliente or duranguense -- or perhaps a combination of the two -- this 2006 release is a likable and worthwhile demonstration of
Remis' regional Mexican talents.
~Alex Henderson, All Music Guide
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