Rating:
Genre:
Electronica
Release Date: 04/22/2008
As a venue,
the Royal Albert Hall in London is the stuff of legend. It is so elegant it inspires greatness in performers no matter the discipline, as well as rapt and supportive attentiveness in audiences. Some of its past performers have included
Frank Sinatra, a double bill by
the Beatles and
the Rolling Stones,
Led Zeppelin,
Pink Floyd, and
Bob Dylan, to name a few. It therefore goes without saying that the weight on
Cinematic Orchestra mastermind
Jason Swinscoe to pull off something grand for a recording and video document of this
CO performance was considerable. In order to accomplish this feat, he swelled the ranks of his group to over 40 members, including the entire 24-piece
Heritage Orchestra! Vocalists
Heidi Vogel,
Lou Rhodes, and
Grey Reverend are all present to reprise their roles from various selections on studio recordings. Original
Cinematic Orchestra turntablist
PC returned to the fold for the evening as well. The sound is as lush, lively, and beautiful as one could possibly imagine.
Vogel's performance on the set opener,
"All That You Give" (it originally appeared on 2002's
Every Day), is just gorgeous. After
Swinscoe announces her with a beautiful string intro, her soulful croon comes on full: sultry, emotional, and smooth. The dynamics and textures
Swinscoe assembles with the strings and horn sections are as lush as a
Gil Evans arrangement but as tight as
Manny Albam's. There are truly expansive and adventurous moments here, as on
"Flite," introduced by a Rhodes piano with the rhythmic pulse set in play by rolling drum breaks and a skeletal but beautifully articulate upright bassline. Solo space is accorded sparingly while incorporating the entire orchestra -- the brass section (killer trombones), which becomes a bedrock for reining everyone in, is itself sassy and swaggering, holding the fort against edgy funky guitars and those dreamy piano chords.
This gives way to the spidery beginnings of
"Familiar Ground," which seem like minimal soundscapes for single instruments abstractly lilting and disappearing in the ether until nearly the three-minute mark when the piece comes into view with its body. When the choral vocals announce themselves so wordlessly and surreally, the effect is complete and it goes on for another five minutes or so before
Vogel turns in a stellar performance. Soloists are allowed to let fly in places and let abstraction into the fold for a bit before
Swinscoe calls everything back to a lush and disciplined order. In concert, the track
"To Build a Home," sung by guitarist
Reverend with backing from
Vogel, was more conceptual than arresting -- seemingly owing much to
Coldplay (God forbid) and
the Moody Blues. Here it becomes a true
Cinematic Orchestra offering, with a languid, sad, dramatic kind of tension without being overwrought. The appearance of the nearly 12-minute
"Man with a Movie Camera" jam is wonderfully noir-ish and puts on display all that this group has to offer instrumentally. This ambitious composition and difficult arrangement, which walks a line between film music, late-era jazz improv, classical, and cabaret music, is still grounded -- even with the cracking extended drum breaks; distorted turntable scratches; soprano, tenor, and alto sax flights; and guitar noise. The closer features
Rhodes bringing her unique plaintive voice to
"Time and Space." Its melancholy is heartbreak personified but balanced by a glimmer of hope, borne out by the dreamy, gauzy strings and countered with the ominous sampler and turntable sounds. As cellos and grand piano stretch the middle to accommodate both ends of this spectrum, the feeling of sadness and resolve is almost unbearable -- not for the emotion, but for its indescribable beauty -- before
Rhodes is drawn back out to bring it, and the evening, to a close. The album is a truly moving demonstration of this group's amazing gifts; the DVD presentation will no doubt leave you open-mouthed in a quiet kind of awe.
~Thom Jurek, All Music Guide
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