Rating:
Genre:
Folk
Release Date: 07/12/2002
Run Time: 41:46
Continuing in
Water Lily Acoustics' series of sitting down musicians from different musical traditions to find common ground (which reached its pinnacle with the awe-inspiring collaboration of
Ry Cooder and
V.M. Bhatt on
A Meeting by the River),
Kambara Music joins guitarist
Martin Simpson with
Los Lobos singer/guitarist
David Hidalgo, violinist/vocalist
Viji Krishnan, and mridangam player
Puvalur Srinivasan. It is an intriguing combination, but it is not as effective as one would have hoped. The first problem is the choice of material. The group has elected to open with
Richard Thompson's
"Waltzing's for Dreamers," with
Simpson himself singing the tune's folky, bittersweet melody. Although his guitar playing could arguably rival
Thompson's own, vocally he does not have the depth of expression necessary to pull off this great song.
Simpson's voice is simply not up to snuff, and considering that
Hidalgo, who is a very soulful singer (and a proven strong interpreter of
Thompson's material at that) is present on this date, the production decision made here doesn't make much sense. The
Los Lobos frontman, also a great guitar player in his own right who plays no guitar on this record, instead contributes wistful accordion in keeping with the spirit of the
Mitchell Froom-supplied harmonium on the original. Where this group succeeds is in the long, hypnotic repetition of songs, such as
Hidalgo's
"The Slow Pageant," which, true to its name, unfolds deliberately and seductively as
Simpson and
Krishnan trade simple melodic lines over
Hidalgo's bajo sexto ostinato and
Srinivasan's gentle percussion. Producer
Kavichandran Alexander's pretentious liner notes speak of this music as being self-consciously healing music. Whether this is true or not is not a matter for this reviewer (or any reviewer) to decide, but what can be said is that this is very unassuming music, not likely to turn any heads. Additionally, the recording itself is not as good as one would hope, especially considering the notorious lengths that
Water Lily goes to to assure that only the highest quality analog recording equipment is used. Overall, there are some nice moments here, but it functions better as a sort of penumbra to
Simpson and
Hidalgo's work, and not as an introduction or as a prime exhibit of their talent.
~Daniel Gioffre, All Music Guide
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