Rating: G
Genre:
Drama
Release Date: 10/02/2007
SubTitles: English
Dubbed: English/French
Sound: DD1
Run Time: 99 min
Flags: Suitable for Children
Distributor/Studio: Paramount
Hal Bartlett co-wrote and directed this film curiosity, based on
Richard Bach's best-selling fable, featuring an overbearing music score by
Neil Diamond. The story begins as a flock of seagulls are pecking at the garbage left by a boat that has dumped a bunch of fish heads in the surf. One of the seagulls, Jonathan (voice of
James Franciscus), would rather leave his life of garbage-picking and fly high in the sky to see other parts of the earth. Jonathan leaves the flock and flies around the world. He travels so far that he reaches an aviary heaven, where he meets Maureen Seagull (voice of
Juliet Mills). Maureen introduces Jonathan to new experiences, and Jonathan returns to the flock to tell them the news. The other seagulls scorn him, but then they take notice when he heals a seagull that has died. Then the entire flock greets him as "the Son of the Great Gull."
~ Paul Brenner, All Movie Guide
Those who want to truly enjoy
Jonathan Livingston Seagull are advised to watch it with the mute button firmly pressed. Visually,
Seagull is a treat.
Jack C. Couffer's cinematography literally soars, creating a giddy feeling that approaches the transcendence that the film so badly wants to be about and to convey. The photography is gorgeously crisp or shimmeringly mystic as required, and the many swoops and swirls give the film an energy and vitality that is dazzling.
James Galloway and
Frank Keller's sharp, precise editing is also of enormous help visually, complimenting
Couffer's work while adding to the dramatic impact. Unfortunately, once one turns the sound on,
Seagull drops like a lead balloon. There are some who will appreciate
Neil Diamond's bombastic songs, with their drippy lyrics attached to music that is as synthetic as it is emphatic. But it's hard to imagine anyone appreciating the dreadful dialogue that pours forth from the (non-moving) beaks of these poor birds. The story itself is incredibly dated and arch in a 1970s New Age-y manner, but it's the words - both trite and pretentious -- which really makes
Seagull such a hard film to sit through.
James Franciscus comes off quite poorly as the title character, but that's mainly because he's forced to recite so much of the dialogue. The rest of the cast, having less to say, fares somewhat better.
~ Craig Butler, All Movie Guide
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