Rating:
Genre:
Avant Garde
Release Date: 01/01/2004
Amidst the many compilation albums on
Japanese experimental music, this CD is surely another kind of creature. First, the project stemmed from an event related to another medium. In March 2002,
the Brussels Festival of Fantasy Film brought to Belgium
Takashi Miike and
Shinya Tsukamoto, two
experimental filmmakers. Their works and the discussions that followed their presentation gave the
Sub Rosa team the idea to put this album together over the notion of opposites -- after all, isn't Japan the land of 1,000 contradictions? So this CD presents a portrait of
Japanese avant-garde music as an exploration of all extremes, from the harsh
noise of
Merzbow and the guerilla live collages of
Ground Zero to the prettiness found in the music of
Aki Onda and
Haco. The track selection seems to be very personal, spans almost all of the '90s, and includes material previously released on
Sub Rosa (
Bisk,
Multiphonic Ensemble),
Softl (
Yoshio Machida), and
Gentle Giant (a
Ground Zero 7"). One standout cut is
Koji Asano's
"Vs Calla," a rare, short piece from this master of the marathon and a typically disturbing processed sound file. Other points of interest include
Merzbow's
"Lux Automobile," Onda's
"Fish Don't Know It's Raining," and
Sachiko M's sine-wave piece
"2808200," surprisingly gentle on the ear. The latter is the only example of the turn-of-the-century "onkyo" movement, which is surprising since the extremely quiet has never been explored this deeply. The last two tracks present excerpts from interviews with the filmmakers, in Japanese-English translations, along with an essay by
David Toop.
Japanese Avant-Garde provides an awkward, mixed-up cross section of its subject, much like
Sub Rosa's
An Anthology of Noise & Electronic Music.
~François Couture, All Music Guide
Cart 0 items
Listen
