Rating:
Genre:
Rap
Release Date: 02/06/2001
Run Time: 64:25
Stetsasonic's acknowledged classic,
In Full Gear greatly expanded the musical approach of their debut, making full use of new sampling technology as well as their unique live-band format. It's an ambitious double-LP set that seemingly aims for nothing less than to encompass every stylistic branch of
hip-hop circa 1988. Over the course of 17 tracks, the group runs through state-of-the-art street-level
hip-hop, an
R&B crossover
ballad, human beatboxing, Afrocentric
spoken word poetry,
Def Jam-style minimalism, DJ cuts,
James Brown and
Sly Stone samples, proto-Daisy Age sounds courtesy of
Prince Paul, early
jazz-rap,
dancehall reggae, slamming
Run-D.M.C.-style
rap-rock, and Miami
bass. It all makes for a staggering
tour de force and a highly individual record that really doesn't sound quite like anything else -- whether before, after, or during its time. The group makes no secret of its desire to help
hip-hop push music forward, calling
hip-hop "the most progressive form of music since
jazz" in the liner notes, and launching a spirited defense of sampling as an art on the groundbreaking single
"Talkin' All That Jazz." Yet no matter how progressive-minded things get,
Stet keeps a warm, genial block-party vibe going throughout the record, which holds all the experimentation together.
Prince Paul fans tracing his career backward might initially be disappointed that his warped humor isn't much in evidence here, since he was an equal member of a multi-talented six-man crew, and gets (or shares) production credit on only six tracks. But, even if it isn't wholly a product of his vision, the vibrant eclecticism of
In Full Gear is very much in keeping with his aesthetic anyway. This album doesn't always quite get its due, partly because of the flurry of
hip-hop classics released around the same time, but it's certainly up near the head of the class of 1988.
~Steve Huey, All Music Guide
;)
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