Rating:
Genre:
Rock
Release Date: 10/23/2007
After
Dave Gahan released his debut solo album,
Paper Monsters, in 2003, he landed three of his songs on
Depeche Mode's 2005 album
Playing the Angel, meaning
Martin Gore was no longer the band's sole songwriter. Two years later and he's on a roll with
Hourglass, a more
electronic, better built, and altogether better deal than
Monsters, thanks mostly to the singer and-don't-you-forget-to-mention songwriter's better sense of self. At least that's the way it feels because unlike
Monsters,
Hourglass doesn't have any overly urgent need to shake off
Depeche Mode comparisons. Instead, it surrounds
Gahan's serviceable writing skills with the dark
electronic soundscapes he's obviously comfortable with. Just like his tracks on
Angel, his co-conspirators here are
Christian Eigner and
Andrew Phillpot, two musicians that are great at creating crunchy, expansive, and cold music. Even if leadoff single
"Kingdom" is
Depeche's
"Never Let Me Down Again" without the keyboard hook, its groove is the same slithery kind of inescapable, and if it could conjure a smell it would be a mix of leather pants, sweat, and cigarettes. The swaggering macho
goth stance
Gahan perfected right around
"Personal Jesus" is also in effect for the highlights
"Use You" and
"Deeper and Deeper" which is especially helpful for the latter since the lyrics could have come from any given
Fergie song ("You can't tell me/That you don't want it" and so on). Cringe-worthy couplets like
"Miracle"'s "I don't believe in Jesus/But I'm praying anyway." find
Gahan writing in the style of
Gore and coming up short, but you've got to admit his vocal delivery is moving, and that goes double for the opening
"Saw Something." At the very least the album displays how much
Gahan brings to
Depeche Mode, and should go a long way in getting the
Gore-favoring fan base to admit it. [A CD/DVD of the album was also released.]
~David Jeffries, All Music Guide
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