Rating:
Genre:
Country
Release Date: 05/17/2005
Snicker all you want at
Toby Keith's shoutout to his "boys in Afghanistan and Baghdad City" in the chorus of
"Honkytonk U" --
Keith may pander, but that doesn't mean he doesn't deliver the goods. And deliver he does on
Honkytonk University, his 2005 follow-up to 2003's hit
Shock'n Y'all and the second album he's released since 2002's
Unleashed made him into a bonafide superstar thanks to its post-9/11 anthem
"Courtesy of the Red, White and Blue (The Angry American)." That song pegged
Keith as a right-wing, red-state
country singer, but that's not exactly an accurate designation. Not only is he nowhere near as simple as
Darryl Worley, but his patriotic posturing was savvy, a good way to endear him to his core audience and broaden his base, all the while being able to keep his
country pure, without a trace of
pop schmaltz in its arrangements.
Honkytonk University, as its title suggests, confirms that
Keith is the biggest hardcore
country singer this side of
Alan Jackson, but where
Jackson is a strict traditionalist,
Keith is a rowdy modern man, building on the
outlaw country of
Waylon Jennings and the sound of latter-day
Merle Haggard, throwing in traces of
Dwight Yoakam along with a keen eye for contemporary life. He takes such time-honored themes as love, broken hearts, and drinking and gives them new life through his sharp details and sense of humor -- best heard on the wonderfully self-depreciating
"As Good as I Once Was" and the absurd, over-the-top
"You Ain't Leavin' (Thank God Are Ya)" -- and a strong sense of craft. He's been writing good barroom weepers and party tunes for a long time, but here, the love
ballads and sad songs are just as good, and there are such nice, breezy changes of pace as
"Where You Gonna Go" that recall the best of rolling,
folk-influenced
country. Indeed, there's a greater variety of sounds and styles on
Honkytonk University than many
Toby Keith records -- there's
honky tonk, to be sure, but that's only the starting point -- and that variety, along with the consistently strong set of original songs (all bearing
Keith's writing credits, many co-written by
Scotty Emerick), makes this one of his very best records.
~Stephen Thomas Erlewine, All Music Guide
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