Rating:
Genre:
Jazz
Release Date: 09/25/2001
Some artists totally change directions; some reinvent their personalities. It is hard to know exactly what to make of the case of this Argentinian tenor saxophonist, who first appeared as a sideman on several extremely important
Don Cherry projects, making such an essential contribution to the overall feel of these records that listeners expected great things. After a few attempts at finding a meeting place between the energy and harshness of
free jazz and the his own rhythmic roots, he created this album in which everything seemed to come together perfectly. If a judgement is to be made based on
Barbieri's overall career, then a lot of credit would be given to his accompanying musicians here, who are strictly the cream of the crop. A horn player certainly couldn't complain about a rhythm section featuring bassist
Ron Carter, drummer
Lenny White, and pianist
Lonnie Liston Smith, the last fresh out of the band of
Pharoah Sanders, where he had established himself as the absolute king of modal, vaguely Latin or African sounding vamps.
Smith was able to fit right in here, and he of course knew just what to do when the saxophonist went into his screaming fits, because he surely had plenty of practice with this kind of stuff playing with
Sanders. The leader adds a nice touch of ethnic percussion with some congas and bongos and
Na Na on berimbau; in fact, this was the first time many American listeners heard this instrument. From here,
Barbieri continued to build, reaching a height with a series of collaborations with Latin American musicians playing
traditional instruments. He would then switch gears, tone down the energy, and become kind of a romantic image with a saxophone in his mouth, producing music that brought on insults from reviewers, many of whom would have bit their tongues if they'd known much worse sax playing was to come via later artists such as
Kenny G. But at this point in 1971, well before the
Muppets would create a caricature out of him,
Barbieri was absolutely smoking, and for a certain style of rhythmic
free jazz, this is a captivating album indeed.
~Eugene Chadbourne, All Music Guide
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