Rating:
Genre:
Rock
Release Date: 09/19/2006
Facing the Thousand is the third album from San Francisco outfit
Light This City and the group's second for
Prosthetic Records, which is quickly seeing its faith and investment repaid by bandmembers whose rate of improvement nearly matches the pace of their playing. After a majestic orchestrated synthesizer intro, the title track opens proceedings at a characteristically ferocious clip, democratically representing the so-called New Wave of American Heavy Metal with elements of death, thrash, metalcore, and even a little black metal, if you listen closely enough. Outstanding vocalist
Laura Nichol is largely responsible for the latter, in fact, as she spit-rasps lyrical venom betwixt her more guttural deathly growls throughout the ensuing mayhem. All the while, her bandmates seek to shine a little light amidst the suffocating darkness via some Gothenburg-flavored harmonies that elevate the likes of
"Cradle for a King," "The Unwelcome Savior," "Maddening Storm," and
"City of Snares" (reminiscent of Sweden's
the Crown) to highlight status. On others, such as
"Exile" (borderline power metal, minus the clean vocals, and featuring a rare, deliberate finale),
"The Eagle," and
"Tracks of Decay" (both of them copycats of
In Flames and
At the Gates), that same melodic insistence respectively becomes almost too distracting and rather derivative, so there's obviously a limit for everything. Also, the slightest hint of repetition does set in after about half a dozen of these, mostly full-throttle blast-beaters -- even though, pound for pound, they're still far more distinctive and engaging than the inexplicably more popular
Black Dahlia Murder, whose vocalist,
Trevor Strnad, actually guests on the (you guessed it) savagely one-dimensional
"Fear of Heights." All things considered, by the time
Facing the Thousand thrashes to a finish on the furious blastbeats of
"Like Every Song's Our Last," it's apparent that
Light This City could still do with a little more consistency and originality, but they clearly have a head start on most of their direct competition this side of the Atlantic -- whether consumers have realized it or not.
~Eduardo Rivadavia, All Music Guide
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