Rating:
Genre:
Rock
Release Date: 11/26/2002
After two albums that combined
progressive rock with
orchestral grandeur,
Procol Harum returned to the basics on this 1974 outing. This time, the accent was returned to the thick electric guitar and swirling guitar on a batch of lushly textured but driving songs that covered everything from
hard rock to moody
prog and even a bit of
music hall comedy. In the
rock category, the most memorable numbers are the opener,
"Nothing but the Truth," a punchy tune that displays the group's thorough grasp of
rock dynamics as it veers between metallic riffing and rollicking keyboard flourishes over a stomping beat, and
"Monsieur R. Monde," a bracing mid-tempo track that punctuates its guitar-heavy attack with some infectious cowbell accents from drummer
B.J. Wilson. In the
progressive arena, the most interesting tunes are
"The Idol," a sumptuous epic that adds layer after layer of keyboard and guitar as it tells the story of a hero's fall from grace, and
"The Thin End of the Wedge," an
avant-garde tune that highlights
Mick Grabham's guitar work as it creates a surreal,
gothic atmosphere. Other memorable tunes include
"Beyond the Pale," a tune about the search for the Holy Grail that mixes
pop hooks with a Germanic
folk song feel, and
"Exotic Fruit," an amusing song that extols the virtues of its titular subject over a bouncy English
music hall melody. It's a diverse group of songs and styles, but the group delivers them with aplomb and energy, and the album is further bolstered by a sumptuous, consistent
Chris Thomas production that makes sure everything blends together smoothly. As a result,
Exotic Birds and Fruit is one of
Procol Harum's finest efforts of the '70s. [Trivia note: The 2000 reissue of this album on
Repertoire Records added a single version of
"As Strong as Samson" and
"Drunk Again," a non-album B-side that was one of
Procol Harum's finest and heaviest rockers.]
~Donald A. Guarisco, All Music Guide
Cart 0 items
Listen
