Click on the field header labeled "Extensions" (to order the list by extension)
Scroll down and click on the entry for "ASX"
Click on the "Change Action" button
Select the top radio button labeled "Open them with the default application"
Repeat steps 6-8 for every instance of the ASX extension in the list. When you are done, click "Close" then click "OK" in the options window. Audio samples should now play properly in Windows Media Player.
Track Listings
Title
Listen
1.
The River Crossing to Stalingrad
- Marcia Crayford / Terry Edwards / James Horner / London Voices
2.
The Hunter Becomes the Hunted
- Marcia Crayford / Terry Edwards / James Horner / London Voices
3.
Vassili's Fame Spreads
- Marcia Crayford / Terry Edwards / James Horner / London Voices
4.
Koulikov
- Marcia Crayford / Terry Edwards / James Horner / London Voices
5.
The Dream
- Marcia Crayford / Terry Edwards / James Horner / London Voices
6.
Bitter News
- Marcia Crayford / Terry Edwards / James Horner / London Voices
7.
The Tractor Factory
- Marcia Crayford / Terry Edwards / James Horner / London Voices
8.
A Sniper's War
- Marcia Crayford / Terry Edwards / James Horner / London Voices
9.
Sacha's Risk
- Marcia Crayford / Terry Edwards / James Horner / London Voices
10.
Betrayal
- Marcia Crayford / Terry Edwards / James Horner / London Voices
11.
Danilov's Confession
- Marcia Crayford / Terry Edwards / James Horner / London Voices
12.
Tania (End Credits)
- Marcia Crayford / Terry Edwards / James Horner / London Voices
Given the longevity of his career, it's somewhat surprising to note that 2001's Enemy at the Gates represents composer James Horner's first foray into the World War II milieu, and while the score cherry-picks a handful of elements from previous Horner efforts spanning from Glory to Willow, it's nevertheless his most accomplished and original work in some time. A bleak, melancholy work nevertheless punctuated by moments of sweeping symphonic beauty, Enemy at the Gates exhibits a musical and emotional economy rare in the Horner canon -- when the drama finally erupts, it means something. Fans of the composer will find much to savor here, and even detractors will discover passages meriting commendation.