Rating:
Genre:
Rock
Release Date: 01/10/1993
Run Time: 49:31
Leveraging the runaway success of her previous album,
Let It Loose,
Gloria Estefan furthered her indulgence in spare, moody love
ballads and club-ready
dance-pop jams for
Cuts Both Ways and scored herself another Top Ten album. The transformation of
Gloria Estefan the lead singer of
Miami Sound Machine to
Gloria Estefan the
pop star is complete here. While
Let It Loose had been the first
Miami Sound Machine album to co-bill
Estefan (that is, "
Gloria Estefan and
Miami Sound Machine"),
Cuts Both Ways is billed simply to the star herself. And it plays that way, too, with a heavy reliance on
Gloria-spotlighting
ballads -- roughly half the album, discounting the album-ending Spanish-language versions.
Miami Sound Machine's patented
Latin dance-lite style is sidelined a bit, for better and for worse. Sure,
"Ay, Ay, I," "Say," "Oy Mi Canto," and
"Get on Your Feet" are all club-ready with their big late-'80s synth-drum patterns, but only
"Get on Your Feet" comes close to matching the majesty of past club hits like
"Conga," "Rhythm Is Gonna Get You," and
"1-2-3." And more tellingly, there aren't any straight
pop songs here like
"Bad Boy" or
"Betcha Say That." Cuts Both Ways goes only both ways -- either
ballad or
jam -- which makes for a very up-and-down listening experience as the tempos alternate drastically from one song to the next. All this over-analysis aside, there are some super songs here, namely
"Here We Are," "Say," "Oy Mi Canto," "Don't Wanna Lose You," and
"Get on Your Feet." That's a lot of super-ness for one album, even if on the whole
Cuts Both Ways seems overly calculated and sadly foreshadows the audience displacement that
Estefan would experience in subsequent years as she drifted even further away from the unabashed
Miami Sound Machine-style
dance-pop of yesteryear. Even so,
Cuts Both Ways is one of her best and, without question, was one of her most successful, clear affirmation that
Estefan had indeed become one of the biggest
pop stars in the whole wide world as the '80s came to a close.
~Jason Birchmeier, All Music Guide
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