Rating:
Genre:
Rap
Release Date: 05/18/2004
Canadian
hip-hop beathead
Sixtoo belongs to a generation of producers who forsake the
Classic Beats and Breaks style of track construction for an aesthetic that samples and reworks their own playing as well as that of their friends --
Pretty Purdie plus
Roscoe Mitchell. Based in Halifax and later Montreal, the veteran of his own solo records as well as productions and accompanying gigs for
Buck 65,
1200 Hobos, and
Anticon among others, his first record for
Ninja Tune isn't instrumental
hip-hop but rather down-tempo
funk with a cinematic flair -- a close compatriot of
J Swinscoe's
Cinematic Orchestra.
Sixtoo's productions are dripping with atmosphere, and he possesses the fiending of a soundtracker for sounds that listeners haven't heard before but can immediately associate with a feeling -- and that feeling is usually a delicious sense of dread.
"Boxcutter Emporium, Pt. 2," one of three tracks in a suite interspersed throughout the album, succeeds despite only sparsely using a few elements: a hi-hat-heavy drum kit, a bassline with only one change, and an oscillating bell sound.
"Storm Clouds & Silver Linings," his feature collaboration with
Can vocalist
Damo Suzuki, is an inspired piece of avant
funk, wherein a friend's sampled drumming and
Matt Kelly's distorted guitar frames
Suzuki's improvised vocalizing. These highlights, however, don't serve to frame a compelling full-length. In fact, the two collaborations with the highest profiles -- separate tracks featuring a pair of
Godspeed You Black Emperor! members, cellist
Norsola Johnson and bassist
Thierry Amar -- are meandering and ineffective.
~John Bush, All Music Guide
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