Rating:
Genre:
Country
Release Date: 04/29/2008
Run Time: 36:37
The third effort from Kentucky's
Dwight Yoakam shows the first signs of beginning to stretch out and be comfortable with his unique approach to hard
honky tonk music,
Bakersfield-style.
Buenos Noches From a Lonely Room features a number of variations on the themes
Yoakam explores in his songs -- mainly heartache. Not since
Leon Payne has anyone gone from love that is so obsessive it cares not a whit for the most basic of life's needs (
"I Got You"), to a murderous jealousy (
"What I Don't Know"), to homicide (
"Buenos Noches From a Lonely Room [She Wore Red Dresses]") in the first five songs. In addition,
Yoakam and producer/guitarist
Pete Anderson are exploring the colorations of other instruments in their mix such as the addition of the legendary
Flaco Jimenez's accordion on the title track. The transition tracks between these three facets of human meltdown are the stunning melody in
"One More Name" and a radical cover of
Johnny Cash's
"Home of the Blues." In addition, there's a read of
J.D. Miller's
"I Hear You Knockin" as an alternate ending, though it's still plenty dark. After the murder in the title track, the cycle is complete, and the album shifts gears radically. It kicks off with a balladic elegy to a worn-out drunk called
"I Sang Dixie," full of lilting fiddle and subtle singing leads from
Anderson. It's a tearjerker in classic
country fashion, its tone almost reverential. Track two is a duet with
Yoakam's hero,
Buck Owens, who came out of retirement -- briefly -- to record this song and a new album. There's only one song the pair could sing together, the anthem of lost but proud down-and-out ramblers, and that's
Homer Joy's
"Streets of Bakersfield." The other cover here is
Hank Locklin's beautiful love song
"Send Me the Pillow" with a return by
Maria McKee on backing vocals (she sang a duet on
"Bury Me" with
Yoakam on
Guitars, Cadillacs, Etc., Etc.). The pair are as natural together as
Gram Parsons and
Emmylou Harris were, though far more traditional in their approach. As chapter three in the
Dwight Yoakam restoration of
honky tonk music project, this is the best yet.
~Thom Jurek, All Music Guide
;)
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