Rating:
Genre:
Country
Release Date: 09/21/2004
Keith Urban has been a consistent presence in the Top Ten of the
country singles charts since 2000, scoring eight consecutive entries as of the release of his third U.S. solo album,
Be Here, the eighth being the disc's leadoff track,
"Days Go By." And there's plenty more where that came from. Unlike most other
country artists,
Urban doesn't restrict himself to ten selections from the Nashville songwriting establishment for his albums. This one contains 13 songs at a generous 55-minute running time, and
Urban's name is on nine of them as a co-writer. Thus, the collection can be viewed as more of a
singer/songwriter effort than the usual Music City product. From that point of view, the album has a distinct storytelling arc, beginning with the
carpe diem sentiments of
"Days Go By" and continuing into a series of songs that celebrate life and love, notably
Rodney Crowell's unabashedly romantic
"Making Memories of Us," which finds
Urban doing his best
Crowell imitation. Suggestions of struggle begin to intrude as of
"God's Been Good to Me," however, and eight songs in
Urban abruptly changes the sound and the mood with the piano-and-strings weeper
"Tonight I Wanna Cry," a song this reformed drinker confesses in his press materials that his sponsor might not approve of.
"She's Gotta Be" picks up the pace, if not the mood, and
Matraca Berg and
Jim Collins'
"Nobody Drinks Alone" brings the singer to a sodden
rock bottom before he changes the subject by covering
Elton John's
"Country Comfort" and finally overcomes adversity in
"Live to Love Another Day," then rewrites the album's opening song to look forward again on the album-closing
"These Are the Days." The album-length story of optimism and perseverance in the face of romantic turmoil and alcoholic temptation is told musically with
Urban's usual collection of fast-picked string instruments, including electric and acoustic guitars, banjo, mandolin, and Dobro (the last played by
Bruce Bouton). It's a muscular sound indebted at least as much to
rock and
bluegrass as to
traditional country, but it supports his light, flexible tenor and his essentially upbeat message.
~William Ruhlmann, All Music Guide
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