Rating:
Genre:
Rock
Release Date: 08/23/2005
Josh Kelley follows his polite 2003 debut,
For the Ride Home, with a great leap forward called
Almost Honest. For his second record,
Kelley has expanded his songwriting palette past the jangly
John Mayer comparisons to incorporate a slick, funky
pop sound comparable to
Maroon 5 or
Rob Thomas' solo work. (In fact,
Honest was produced by
Matt Wallace, who also helmed
Maroon's breakthrough,
Songs About Jane.) The strong late-album cut
"Hard Times Happen" could be a
Jane outtake, while opener
"Walk Fast" is irresistibly slinky, and possessed of a rhythm somewhere around
Steely Dan.
Kelley co-wrote the lead single
"Only You" with
the Matrix, and it bears some of the
pop hitmakers' signature touches -- a processed guitar cuts through the verses over warm
electronic programming, and its chorus grabs you with weird lyrics about acting "all sweetness" that nevertheless sound perfect to your tapping foot. This veer left from
adult alternative,
singer/songwriter shagginess does wonders for
Kelley. As affable as his debut was, it was also cut from the
Mayer cloth, a place where everything's a wonderland but nothing's memorable. In
Almost Honest,
Kelley has a confident modern
pop album that's melodic and ultra-accessible, but also packed with vibrant, interesting songwriting. He works with
Joe Firstman on the gorgeous title track, a song just waiting for a late-night drive, lite
rock radio, and a
Lionel Richie segue. And
"Lover Come Up," a collaboration with
Better Than Ezra's
Kevin Griffin, lopes along like mildly salacious blue-eyed
R&B ("And when I get the urge/I'll give the love that you deserve...").
Kelley's on his game vocally throughout
Almost Honest. He's not the best singer in the world, but he doesn't pretend to be, instead working within the songs, inhabiting their dynamic arrangements. He's dusty-throat confident on the
country-rocker "20 Miles to Georgia" and softly expressive on the midnight mood of
"Shameless Heart." It's forgivable if the latter sounds a little too much like
Chris Isaak covering
Mazzy Star, because it's part of a record that wears its slick, modern sound with pride.
~Johnny Loftus, All Music Guide
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