Rating:
Genre:
New Age
Release Date: 09/26/2006
Enigma records must sell here in the States. In Europe, where virtually anything goes, they do; but here, one has to wonder after five albums that are only subtly different from one another, along with countless singles and 12" remixes, what's left to engage the imagination. Such is the case with
A Posteriori, which in Italian means anything from "what comes after" to "behind." Dedicated to "all visionaries of human race" (sic),
A Posteriori is once again beautiful in its sonics, textures, and grooves.
Michael Crétu does almost everything here save for a couple of recitations. Once more, the songs of Enlightenment composers such as
Gesualdo and
Monteverdi are sampled in the tranced-out mix. Are they prayers? Are they amorous songs? Unless you can understand Latin or Italian, there's no way of knowing. But
Crétu has always been able to weave together the spiritual and the carnal, and it's his trademark. The more obvious
trance and
house beats are a near constant. One has to believe that if the folks in
Tangerine Dream would have started in the 1990s instead of the 1960s, they'd sound something like this, as many of
Crétu's pulsing textures are reminiscent of
Tangerine Dream's
Stratosfear and
Tangram years. While the sound
Crétu employs is now familiar, perhaps listeners should be thankful for it. He's managed to find something that works, and goes for it with gusto. Perhaps nothing on this set is as striking as
"Remembrance," but then who would ever want to hear that cut again?
"Feel Me Heaven" is a wild, pulsing, throbbing
trance cut that blends everything listeners know of
Crétu's previous music into a lovely whole. It is followed by
"Dreaming of Andromeda," a slower though no less hypnotic slice of chilled
house. Some things here seem just plain dumb --
"Dancing with Mephisto" and
"Sitting on the Moon" feel more like
new age cuts than anything else.
Crétu's vocal on the latter sounds like
Robbie Robertson's from his solo albums. The glissando guitar that opens the completely dancefloor-driven
"Invisible Love" works well, but
Crétu's vocals are irritating. The shifting dynamics in
"The Alchemist" make it one of the most compelling cuts on the disc, and it is a perfect candidate for an extended remix by some wise and imaginative soul. The bottom line: if you like the
Enigma sound, this will be up your alley, full of the things you may seek out in a recording, but there is little new here.
~Thom Jurek, All Music Guide
;)
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Number of reviews: 1
