Rating:
Genre:
Folk
Release Date: 06/09/2009
Josh White had a talent for self-reinvention, and his career -- which began in the 1920s and stretched essentially uninterrupted all the way into the '60s -- is an amazing story of adaptability and survival. Slick, sly, and fiercely intelligent,
White began as a
Piedmont blues player, but became a sort of pre-
Harry Belafonte black sex idol, complete with a leftist social and political agenda, during his so-called
cabaret blues period in the late '40s, and when the
McCarthy era led to his blacklisting, he rebounded into the
folk revival with several carefully assembled albums for
Jac Holzman's newly created
Elektra label that recast him as a
folk balladeer. This set, originally released as an LP in 1957, was the first of those albums for
Elektra. Few performers could make the
folk-blues straddle the line between being rustic on the one hand and artfully urbane on the other like
White was able to do, and while to some extent it was a stage act, there is no doubting
White's ultimate devotion to his material. The key track here is the first one, an epic 23-plus-minute version of
"John Henry" that was the center of
White's live performances during his
folk period and was somewhat of a signature song for him. Although some doubted
White's authenticity as a
folk-blues performer (they really shouldn't have), the fact remains that
White was an excellent acoustic guitar player and a subtle and versatile singer who carefully selected his material, well aware of how it made him appear. Listeners should definitely check out some of
White's early
Piedmont-styled 78s from the '20s, though, like
"Blood Red River" and
"Silicosis Is Killin' Me," to really hear this intelligent performer at his best.
~Steve Leggett, All Music Guide
;)
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